A homework assignment. Tell a story, using all of the senses
An early wake up call, courtesy of the early arrived construction
workers beneath my window. The sun was
not up yet. I glanced at my cellphone,
the only time piece I had in the entire apartment, and found it to be a few
minutes after six. A quick list of
possibilities passed through my newly awakened consciousness and I sprung out
of the comfort of the goose down duvet, my feet hitting the cool marble tiles
of the floor, as I accepted the gift that had just been thrust upon me.
Into my clothes, no need for makeup, coat on, keys in hand,
down the stairs and out onto the street.
No lights on in the other residences.
Made me wonder if the noise was unheard by anyone other than myself or if
the others simply rolled over and returned to sleep, something I am unable to
do, anytime, anywhere.
My feet touching the cobblestones were the only other
sounds. They carried me through the Piazza
Comune, empty of all but the morning street cleaners. Lights from the Bar Trovellesi reminded me
that soon, the doors would be open, the singular most beautiful aroma of
freshly brewed coffee, awaiting the early morning regulars. On to Via Santa Chiara, shrouded in a thin
layer of fog. Clip, clop, clip clop from the feet beneath my now fully awakened
body. Arrival at my final destination,
the Basilica di Santa Chiara, fronted by an immense sweep of a terrace-like plaza. Alone, in the darkness, I took pause to look
over onto the valley below. To listen
for the early morning sounds, to smell the remnants of last night’s Umbrian
fireplaces, a scent that I totally associate with time and place.
A tiny glimmer of light came from the transept above the
door of the Oratori del Crocifisso, the peaceful little chapel adjoining the
nave of the Basilica. It signaled that
preparations were under way and that it was okay to enter and ready myself for
this morning’s Lodi. The chapel is small
and intimate. It is not ornate yet it
preserves the venerated crucifix that spoke to Saint Francis at
San Damiano in the thirteenth century.
Dark wooden pews, with hard seats and un-padded kneelers, respond with
squeaky sounds to the movement of my body as I find a prayer book and a place,
joining the handful of others who gather to welcome the new day.
At exactly 6:45. A tiny bell rings, and a gate glides
quietly as it opens on the side of the altar.
It is the only sound I can hear and it sends a little shiver up my
spine. Very soon after, I hear the voice
of one of the sisters, calling her cloistered sisterhood to the start of
prayer. They remain behind the newly
opened wall, totally out of view at all times.
And then, my heart stops beating for one moment, the first time I hear
the start of morning song. I am here, in
this beautiful setting, my eyes fixed upon the crucifix hanging above the
altar, listening to angels singing as they do every morning and have for
centuries, welcoming the day, giving thanks for this moment, this perfect start
to another perfect day.
A day that soon
became more perfect when I stop at the Bar Trovellesi for my morning capuche.